Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
When the kingdom's most wanted-and most charming-bandit Flynn Rider hides out in a mysterious tower, he's taken hostage by Rapunzel, a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair.
A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep that can only be awakened by true love's first kiss.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny.
Oldboy is the revenge drama from Director Park Chan-wook. Based on a manga by Nobuaki Minegishi, it depicts the suffering path of a man who must deal with the never ending torment of having unknowingly made someone his enemy.
The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging Musketeers, led by D'Artagnan.