"A trip through the mind-warp of a future that's already here. Metal Messiah is Fog, Flags, Lights, Future Sights, Christ Crucified, Hitler Idolized, R"26 April 1978Sci-Fi, Music76 mins
A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)
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Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
When the kingdom's most wanted-and most charming-bandit Flynn Rider hides out in a mysterious tower, he's taken hostage by Rapunzel, a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair.
Princess Jasmine grows tired of being forced to remain in the palace and she sneaks out into the marketplace in disguise where she meets street-urchin Aladdin and the two fall in love, although she may only marry a prince.
A country family of five takes in cousin Julia, whose parents recently perished in a car crash. Julia extends her influence over the family and those around them, fooling all except for Rachel, the teenaged girl who knows her cousin is up to no good.