The Chinese Typewriter is about education and language, and the way a society is shaped by them. Exemplifies the politically committed film that defies the strict rubric of avant-garde. Barnett seems less interested in challenging traditional form than in exploding his own occidental vision. -- Gregory Solman
The lawyer is visiting a prison to meet with a violent criminal who has been condemned to death. During the visit, things turn bad, there is a riot where prisoners escape and the criminal escapes taking a lawyer hostage.
Spoofing the entire 1940s detective genre, and his own performances as a bumbling private detective, Peter Falk plays Lou Pekinpaugh, a San Francisco private detective accused of murdering his partner at the instigation of his mistress, the partner's wife, Georgia Merkle.
A country family of five takes in cousin Julia, whose parents recently perished in a car crash. Julia extends her influence over the family and those around them, fooling all except for Rachel, the teenaged girl who knows her cousin is up to no good.
Have you watched The Chinese Typewriter yet? What did you think about it?