"Coastal Calls is a film which deals with primary filmic elements and produces constantly shifting relationships between them. The film is made up of four 100ft rolls/takes of slow pans of a beach and its surrounding landscape with focus and exposure in constant change. The sound is that of space (sea, wind) alternating with that of a wind instrument (Shawm). Only at specific instances do focus and exposure match to give an image that is readable in illusionistic terms, so that any attempt to 'place' oneself is subverted by the constant perceptual shift applied to the image ... never gathered into representation but only crossing points of unstabilised representation, as if by accident." - Michael Maziere, Undercut.
School is out, and three girls head to the beach for vacation. Two of the girls are world-wise party-goers who attempt to loosen up their naive, virginal friend, whose uncle has allowed the girls to stay at his beach house.
Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There, on the eve of an attempted coup, he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people and also falls in love with a British national.
As Kevin Flynn searches for proof that he invented a hit video game, he is "digitalized" by a laser and finds himself inside The Grid, where programs suffer under the tyrannical rule of the Master Control Program.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, the Vietnam vet snaps, runs for the hills and rat-a-tat-tats his way into the action-movie hall of fame.
A widowed field mouse must move her family -- including an ailing son -- to escape a farmer's plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.