Patrice Enard’s ‘Pourvoir’ is a film mainly comprised of images of women in nature, his style is stark and repetitive, shots are angular, which both hide and reveal. There is though a visual poetry to his work - once the smoke dissipates, a sexual liberation emerges, with subtle flourishes in the staging and editing threaded together by Marxist and Freudian discourses.
Dar, is the son of a king, who is hunted by a priest after his birth and grows up in another family. When he becomes a grown man his new father is murdered by savages and he discovers that he has the ability to communicate with the animals, which leads him on his quest for revenge against his father's killers.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, the Vietnam vet snaps, runs for the hills and rat-a-tat-tats his way into the action-movie hall of fame.
On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal and restore order to his world, before the grotesque race of Skeksis find and use the crystal for evil.
The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumours say that the jet is indetectable on radar.
Have you watched Pourvoir yet? What did you think about it?