“A witty send-up and a wise abstraction of the melodrama, combining elements of romantic mythology – songs, images, words and movements – to ask the question: where does myth end and life begin? Bill Rice ‘stars’ as a frustrated professor of romantic literature who reaches the end of his rope and resolves to be reunited with his deceased true love. When his attempt to hang himself fails, he finds renewed hope in the form of a nurse at his doctor’s office; newly married and still in love, she is nevertheless intrigued by his morbid romanticism. The action takes place on gigantic, expressionistic sets painted by artists Amy Sillman and Pamela Wilson; movements are exaggerated by being reduced to a minimum, and the dialogue, written by James Neu, calls up the romantic phraseology of the ages – from literature to TV – strung together into a musical refrain and set to Evan Lurie’s score.” –PACIFIC FILM ARCHIVE
Meet Joel Goodson, an industrious, college-bound 17-year-old and a responsible, trustworthy son. However, when his parents go away and leave him home alone in the wealthy Chicago suburbs with the Porsche at his disposal he quickly decides he has been good for too long and it is time to enjoy himself.
Monty Python's The Meaning of Life is a 1983 musical comedy film by the Monty Python comedy team. Unlike the two previous films they had made, which had more or less each told single, coherent stories, The Meaning of Life returns to the sketch comedy format of the troupe's original television series, loosely structured as a series of comic skits about the various stages of life.
The Griswold family are on a quest. A quest to a Walley World theme park for a family vacation, but things aren't going to go exactly as planned, especially when Clark Griswold is losing all thought towards a mysterious blonde in a red Ferrari.