René Laloux, director of Fantastic Planet [La Planète sauvage], created Gandahar, his final animated feature film, in 1988. Based on an original story by Jean-Pierre Andrevon, and a huge hit in France at the time of its release, it combines Laloux’s famous imagination with that of animation designer Philippe Caza. Gandahar is a fascinating, adult animation which examines genetic mutation, the importance of organic farming, and urges a respect for nature that resonates today more than ever. Life in the idyllic paradise of Gandahar seems peaceful and in joyous order, until the Mirror Birds report that inhabitants of whole villages have been turned to stone. A council of women chooses Sylvain Lanvère to uncover Gandahar’s mysterious metallic attackers. In doing so, he finds an underground race of deformed Gandaharians and an oversized motherbrain, both the result of botched genetic experiments.
Diana is a Roman wife happily married to sympathetic Paolo but she is keen on playing benign games of seduction with other men while resisting the advances of chic lingerie shop owner Silvio and she narrates her adventures to Paolo in order to stimulate their otherwise monotonous sexual life.
Test pilot Tuck Pendleton volunteers to test a special vessel for a miniaturization experiment. Accidentally injected into a neurotic hypochondriac, Jack Putter, Tuck must convince Jack to find his ex-girlfriend, Lydia Maxwell, to help him extract Tuck and his ship and re-enlarge them before his oxygen runs out.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.