Ya bon les blancs depicts a fiercely farcical fable-like vision from Ferreri’s typically ruthless perspective where naïve white liberals attempt to give starving African spaghetti and tomato sauce as aid, ugly Italians attempt boning bloated black native broads, a Catholic priest is gang-raped while he eats Russian chicken and stares at the starved corpse of a preteen negro boy, a deranged jigaboo wearing a white mask claims to whites that he is a real white man and that they are imposters that must leave, and a group of cannibalistic negroid nomads who eat two crackers that dare to sully their magical waterhole. (cont. http://www.soiledsinema.com/2014/08/how-good-whites-are.html?zx=4dfcfb7d2366e8ba)
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music.
Aliens land in South Africa and have no way home. Years later after living in a slum and wearing out their welcome the "Non-Humans" are being moved to a new tent city overseen by Multi-National United (MNU).
NYPD cop John McClane's plan to reconcile with his estranged wife, Holly, is thrown for a serious loop when minutes after he arrives at her office, the entire building is overtaken by a group of pitiless terrorists.
Thanks to an untimely demise via drowning, a young couple end up as poltergeists in their New England farmhouse, where they fail to meet the challenge of scaring away the insufferable new owners, who want to make drastic changes.
Jesus (Willem Dafoe), a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas (Harvey Keitel) -- despite his protestations that love, not violence, is the path to salvation.