Kát'a Kabanová, Janácek's 1921 tragedy, is proof if any were needed that tales of personal oppression and turmoil will always make fine raw material for opera composers. Janácek took Ostrovsky's tumultuous drama of infidelity , The Storm, and created a compelling piece in which his music heightens the relationship between the troubled landscape of Kát'a's inner mind and the elements doing battle outside. In 1988, this Glyndebourne Festival production successfully distilled the heroine's wretched journey from put-upon wife and daughter-in-law to suicide via the ecstasy of a forbidden love affair into 100 minutes of intensely emotional operatic drama.
Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority".
NYPD cop John McClane's plan to reconcile with his estranged wife, Holly, is thrown for a serious loop when minutes after he arrives at her office, the entire building is overtaken by a group of pitiless terrorists.
Jesus (Willem Dafoe), a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas (Harvey Keitel) -- despite his protestations that love, not violence, is the path to salvation.
Have you watched Kát'a Kabanová yet? What did you think about it?