A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival
Jesus (Willem Dafoe), a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas (Harvey Keitel) -- despite his protestations that love, not violence, is the path to salvation.
After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf.