The lives of people are observed within the confines of one, twenty-two story high rise apartment complex and its adjacent courtyard in Trump Village, Brooklyn, New York. Shot from one vantage point over a period of fifteen months, THE BALCONY, speculates on the evanescence of all our lives.
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.
The third/final part of a trilogy of shorts shot in 16mm b+w reversal film on a turret Bolex, Power Line is a non-narrative examination of the woodlands in the northern most region of the state of New York.
Ford plays an American doctor whose wife suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
NYPD cop John McClane's plan to reconcile with his estranged wife, Holly, is thrown for a serious loop when minutes after he arrives at her office, the entire building is overtaken by a group of pitiless terrorists.
Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority".