No one would accuse director Anthony Thomas of presenting an unbiased view of religious fundamentalism in this film, which won a Special Grand Jury Prize at the Sundance Film Festival. Intent on exposing what he perceives to be a dangerous connection between the religious and political right, Thomas interviews born-again Christians and then directs his lens on Heritage USA, the religious complex established by Jim and Tammy Faye Bakker.
Jesus (Willem Dafoe), a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas (Harvey Keitel) -- despite his protestations that love, not violence, is the path to salvation.
Thanks to an untimely demise via drowning, a young couple end up as poltergeists in their New England farmhouse, where they fail to meet the challenge of scaring away the insufferable new owners, who want to make drastic changes.
Ford plays an American doctor whose wife suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority".