As nearly as anyone can figure, this first-time directorial effort by the American actor Ben Gazzara was never released in the United States. It was produced in Italy, shot in England, and uses a large cast of big-name American actors. However, reviewers have said that its style owed a bit too much to the meditative, home-video style of the director's friend John Cassavetes. In the story, a big-time businessman (Gazzara) throws in the towel on his company and high-tails it out to Bali just as its stock is about to be publicly offered. There, he tries to avoid the insistent phone calls coming from Manhattan and records his philosophical ponderings about this mid-life crisis on videotape. Before long, he is partying with another burnt-out businessman (Treat Williams) and avidly avoiding the attentions of colleagues (including Jill Clayburgh who have come to Bali to try and get him to come back to Manhattan.
Lyon Gaultier is a deserter in the Foreign Legion arriving in the USA entirely hard up. He finds his brother between life and death and his sister-in-law without the money needed to heal her husband and to maintain her child.
Come See The Paradise is a deeply touching love story set against the backdrop of a dramatic and controversial period in American history, It follows the romance and eventual marriage of Jack McGurn (Dennis Quad), a hot blooded Irish American, and a beautiful Japanese American Lily Dawanura (Tamlyn Tomita), at the outset of World War II.
Wounded Civil War soldier John Dunbar tries to commit suicide -- and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
The Ages of Lulu is a gruelling sensual odyssey from Spanish director Bigas Luna, made immediately prior to his popular trilogy Jamón, jamón (1992), Golden Balls (1993) and The Tit and the Moon (1994).
Hick handymen Val McKee and Earl Bassett can barely eke out a living in the Nevada hamlet of Perfection, so they decide to leave town -- despite an admonition from a shapely seismology coed who's picking up odd readings on her equipment.