The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.
Having never fully recovered from a prom date that became a total disaster, a man finally gets a chance to reunite with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
A lifetime of taking shots has ended Rocky's career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a "cat from hell" who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the "in-between" bit is the story of a woman preparing to cook her newspaper boy for supper.
Lyon Gaultier is a deserter in the Foreign Legion arriving in the USA entirely hard up. He finds his brother between life and death and his sister-in-law without the money needed to heal her husband and to maintain her child.