This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Wounded Civil War soldier John Dunbar tries to commit suicide -- and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Come See The Paradise is a deeply touching love story set against the backdrop of a dramatic and controversial period in American history, It follows the romance and eventual marriage of Jack McGurn (Dennis Quad), a hot blooded Irish American, and a beautiful Japanese American Lily Dawanura (Tamlyn Tomita), at the outset of World War II.
The Ages of Lulu is a gruelling sensual odyssey from Spanish director Bigas Luna, made immediately prior to his popular trilogy Jamón, jamón (1992), Golden Balls (1993) and The Tit and the Moon (1994).
Lyon Gaultier is a deserter in the Foreign Legion arriving in the USA entirely hard up. He finds his brother between life and death and his sister-in-law without the money needed to heal her husband and to maintain her child.
Hick handymen Val McKee and Earl Bassett can barely eke out a living in the Nevada hamlet of Perfection, so they decide to leave town -- despite an admonition from a shapely seismology coed who's picking up odd readings on her equipment.