If you’re a fan of Ken Russell’s particular brand of stylistically dizzy biographies covering the lives of old-school classical composers, then you’re going to love The Blue Note, Zulawski’s outré ode to Frédéric Chopin (played here by concert pianist/first-time actor Janusz Olejniczak.) Simultaneously achieveing wistful and surrealistic tones, the film covers the last few days of fragile Chopin’s professional life, as well as the (ahem!) overzealous behavior from the phalanx of Chopin’s celebrity admirers. Set at a lush countryside estate, The Blue Note expertly drifts back and forth from tender “love triangle” mode to hyper-imaginary dream-like sequences, all aided by a near-constant beautiful stream of Chopin’s piano music on the soundtrack. As well, the film is one of Zulawski’s most personal projects, as Chopin’s Polish exile in France within the confines of the narrative mirrors Zulawski’s own similar post-’70s exile.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
When the kingdom's most wanted-and most charming-bandit Flynn Rider hides out in a mysterious tower, he's taken hostage by Rapunzel, a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair.
Princess Jasmine grows tired of being forced to remain in the palace and she sneaks out into the marketplace in disguise where she meets street-urchin Aladdin and the two fall in love, although she may only marry a prince.
A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep that can only be awakened by true love's first kiss.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly.
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams.
Veronique, living with her divorced mother, is going on holiday to Mauritius with her father. To impress a local boy, Benjamin, she manages to complicate the situation by making up stories about her father.
Bored with her marriage to burnt out poet turned corporate executive Thierry, Zandalee falls prey to an old friend of her husband, the manipulative and egotistical Johhny and becomes enmeshed in a sensual, passionate and destructive affair.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys.