If you’re a fan of Ken Russell’s particular brand of stylistically dizzy biographies covering the lives of old-school classical composers, then you’re going to love The Blue Note, Zulawski’s outré ode to Frédéric Chopin (played here by concert pianist/first-time actor Janusz Olejniczak.) Simultaneously achieveing wistful and surrealistic tones, the film covers the last few days of fragile Chopin’s professional life, as well as the (ahem!) overzealous behavior from the phalanx of Chopin’s celebrity admirers. Set at a lush countryside estate, The Blue Note expertly drifts back and forth from tender “love triangle” mode to hyper-imaginary dream-like sequences, all aided by a near-constant beautiful stream of Chopin’s piano music on the soundtrack. As well, the film is one of Zulawski’s most personal projects, as Chopin’s Polish exile in France within the confines of the narrative mirrors Zulawski’s own similar post-’70s exile.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
When the kingdom's most wanted-and most charming-bandit Flynn Rider hides out in a mysterious tower, he's taken hostage by Rapunzel, a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair.
Princess Jasmine grows tired of being forced to remain in the palace and she sneaks out into the marketplace in disguise where she meets street-urchin Aladdin and the two fall in love, although she may only marry a prince.
A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep that can only be awakened by true love's first kiss.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys.
Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.
Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives.
An American, Leopold Kessler (Jean-Marc Barr) goes to post-war Germany in 1945 to work as a railroad conductor for the Zentropa Rail Line instead of going into the Army because he feels its a more valuable thing to do for the state of the world.
Have you watched Blue Note yet? What did you think about it?