The thrill of cocaine becomes a metaphor for the consumption of images in this short montage. The title and lyrics come from Auder´s friend and 2001 Prix Goncourt winner Jean-Jacques Shuhl. The piece is composed entirely of still photographs from a variety of books and magazines that simultaneously reveal and feed an addiction to spectacle. With a source that is once removed, Auder's scopophilia is symptomatic of society at large. The song is performed by legendary chanteuse Ingrid Caven. Suffused with a bittersweet melancholy, Canven's seasoned voice compliments Auder's selection of images which dwell on the themes of death, destruction and desire.
The melody is classic cabaret performed by a piano/violin duo who dramatically heighten the works already dark eroticism.
Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team who.