Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic daydream; the film is a cocktail that merges Müller's own shots and found footage like a love act. Nude bodies of sailors are flaring up in flickering solarization effects; they are given an ardent aura of physical desire by this tattooing of the film emulsion. Müller only gradually changes his material metaphors to metaphors of love. But it is not only FIREWORKS the film is alluding to; there is yet another classic shimmering through Müller's imagery: Jean Genet's Un Chant d'Amour.
Danny is obsessed with a fictional movie character action hero Jack Slater. When a magical ticket transports him into Jack's latest adventure, Danny finds himself in a world where movie magic and reality collide.
Mr. Wilson's ever-present annoyance comes in the form of one mischievous kid named Dennis. But he'll need Dennis's tricks to uncover a collection of gold coins that go missing when a shady drifter named Switchblade Sam comes to town.
A young boy who tries to set his dad up on a date after the death of his mother. He calls into a radio station to talk about his dad’s loneliness which soon leads the dad into meeting a Journalist Annie who flies to Seattle to write a story about the boy and his dad.