Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic daydream; the film is a cocktail that merges Müller's own shots and found footage like a love act. Nude bodies of sailors are flaring up in flickering solarization effects; they are given an ardent aura of physical desire by this tattooing of the film emulsion. Müller only gradually changes his material metaphors to metaphors of love. But it is not only FIREWORKS the film is alluding to; there is yet another classic shimmering through Müller's imagery: Jean Genet's Un Chant d'Amour.
Tired of scaring humans every October 31 with the same old bag of tricks, Jack Skellington, the spindly king of Halloween Town, kidnaps Santa Claus and plans to deliver shrunken heads and other ghoulish gifts to children on Christmas morning.
Remake of the popular Disney classic, this time featuring some well known voices as two dogs and a cat trek across America encountering all sorts of adventures in the quest to be reunited with their owners.
Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team who.
Have you watched Sleepy Haven yet? What did you think about it?