A house facade as compressed memory, an ephemeral film between inside and out, between then and now. In Linda Christanell's newest film Moving Picture, the opulent presentation of fetishistically decorated tabeaus has made way for a material-transposing montage technique. The applied viewpoint (via Barbara Stanwyck) opens up multi-dimensional insights and varies thoses poetic aspects which have till now been indicative of Christanell's moving (in both senses of the word) images. The results are new cadenzas in sound and picture. (Ulrike Sladek)
Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Said -- a Jew, African, and an Arab -- give human faces to France's immigrant populations, their bristling resentment at their social marginalization slowly simmering until it reaches a climactic boiling point.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next.
Assassin Robert Rath (Sylvester Stallone) arrives at a funeral to kill a prominent mobster, only to witness rival hired gun Miguel Bain (Antonio Banderas) complete the job for him -- with grisly results.
Angela Bennett is a freelance software engineer who lives in a world of computer technology. When a cyber friend asks Bennett to debug a CD-ROM game, she discovers a conspiracy that will turn her life upside down.