This movie is about Sathyaraj who loves Roja one-sided and she marries her uncle. Once Manivannan & Roja's husband get into a fight. Unfortunately Roja & her husband passes away. So Sathyaraj does not marry anyone & Devotes his life for Roja's daughter Sangeetha. Because of this issue there was a break in the family, Lakshmi who is Manivannan wife and Satyaraj's Sister and he were separated. This made Manivannan very angry so he always wants to avenge. Satyaraj save a girl (Meena) from the sea, who doesn't want to divulge her past. As time passes, Meena gets closer into the family and Manorama( mother) asks Sathyaraj to marry Meena. And this creates a problem for Sangeetha as she loses Sathyaraj's attention, she comes out of her family and stays in Manivannan's house. Later Lakshmi explains the whole story to her and lets her go to her father. In the end Meena, Sathyaraj, Sangeetha, Manorama, Goundamani & Senthil live together happily.
Two not-too-bright party girls reinvent themselves for their high school reunion. Armed with a borrowed Jaguar, new clothes and the story of their success as the inventors of Post-it notes, Romy and Michele descend on their alma mater, but their façade crumbles quickly.
This animated adventure retells the story of the lost daughter of Russia's last czar. The evil Rasputin places a curse on the Romanov family, and Anastasia and her grandmother, Empress Maria, get separated.
84 years later, a 101-year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley.
Director David Lynch gives us a psycho thriller beyond definition that has audiences tangled in the provocations of nightmares, violence, sex sequences, reality, the subconscious, and madness as they must create their own interpretations of the film.