Taro Suwa plays Murakami, a cab driver whoever partner Mayumi has gone missing. He fears that she could have run off with another guy (and that is partly the actual situation, as she had been knocking off both her manager and also another Sawai, colleague, regarding the part) - or gotten into difficulty by involving by herself with a 'telephone relationship club', a solution which hooks up strangers trying to find easy, anonymous sex, no concerns asked. However, neither among these are the situation: in fact (and this is not spoilertastic, since this occasion requires location in the first eight mins of the movie), she has been murdered by a morose lady that has on a daily basis job at the beauty hair salon which his wife worked at. After offing Maria inside her living-room, she dispassionately chops the body up in the bathroom and later on, after using her daughter to college, she deposits the remains into several disparate trashbins around city.
Emmanuelle, a svelte,naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal.
When an alien race and factions within Starfleet attempt to take over a planet that has "regenerative" properties, it falls upon Captain Picard and the crew of the Enterprise to defend the planet's people as well as the very ideals upon which the Federation itself was founded.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.