A poetic narrative about the dream and longing for ideal art. The protagonist is a 19-year-old musical genius Joachim (modeled probably after F. Schubert or R. Schumann). A creator inhabiting the borderline between reality and madness. . . or perhaps genius? A man who steers his fate or perhaps merely follows the glamor and darkness of women (such as Clara Wieck, Schumann's wife; Mozart's Constance; or mysterious Rosamund) encountered along the way. Music of the great Romantics provides the backdrop for the story: Mozart's Quintet in A-major, Schubert's Arpeggione Sonata, and Schumann's eponymous Märchenbilder.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
When an alien race and factions within Starfleet attempt to take over a planet that has "regenerative" properties, it falls upon Captain Picard and the crew of the Enterprise to defend the planet's people as well as the very ideals upon which the Federation itself was founded.
On behalf of "oppressed bugs everywhere," an inventive ant named Flik hires a troupe of warrior bugs to defend his bustling colony from a horde of freeloading grasshoppers led by the evil-minded Hopper.
When guardian angel Seth -- who invisibly watches over the citizens of Los Angeles -- becomes captivated by Maggie, a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved.
Jeffrey "The Dude" Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.