From the Notebook of ... was shot in Florence and takes as its point of departure Leonardo da Vinci's notebooks and Paul Valéry's essay on da Vinci's process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist's work in that he repeatedly employs a series of rapid pans and upward tilts along the city's buildings or facades, often integrating glimpses of his own face. As Beavers notes in his writing on the film, the camera movements are tied to the filmmakers' presence and suggests his investigative gaze.
Bobby Boucher is a water boy for a struggling college football team. The coach discovers Boucher's hidden rage makes him a tackling machine whose bone-crushing power might vault his team into the playoffs.
Jeffrey "The Dude" Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
When teen-socialite Kelly Van Ryan (Richards) and troubled bad girl Suzie Toller (Campbell) accuse guidance counselor Sam Lombardo (Dillon) of rape, he's suspended by the school, rejected by the town, and fighting to get his life back.
In the combustible action franchise's final installment, maverick detectives Martin Riggs and Roger Murtaugh square off against Asian mobster Wah Sing Ku, who's up to his neck in slave trading and counterfeit currency.
Meet Patch Adams, a doctor who doesn't look, act or think like any doctor you've met before. For Patch, humor is the best medicine, and he's willing to do just anything to make his patients laugh - even if it means risking his own career.