Passing On, a lyrical, typically confessional effort that encapsulates what's preceded it. Hoolboom's dance with death — a motif acknowledged in the medieval woodcut segues between segments — resonates in double-exposed shots of anonymous people simply crossing a square, some of them "real," others shown as faint, literal "ghosts" coexisting with those still in the temporal present. In voiceover Hoolboom talks about the "conspiracy of chromosomes" that make up the human being, but the phrase is ironic; for him, nothing is more real, or human, or felt, than what that conspiracy has created.
The OSSA discovers a spacecraft thought to be at least 300 years old at the bottom of the ocean. Immediately following the discovery, they decide to send a team down to the depths of the ocean to study the space craft.
In the combustible action franchise's final installment, maverick detectives Martin Riggs and Roger Murtaugh square off against Asian mobster Wah Sing Ku, who's up to his neck in slave trading and counterfeit currency.
Jeffrey "The Dude" Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
When Quinn, a grouchy pilot living the good life in the South Pacific, agrees to transfer a savvy fashion editor, Robin, to Tahiti, he ends up stranded on a deserted island with her after their plane crashes.