According to filmmaker Stephanie Barber, "This is probably the most heartbreaking film I have made." The pacing is romantic and simple, haiku-esque pauses and inclusions, with the words contrasting this poetry with their factual, disinterested narration. And that narration is a simple statement of failure; one which lies not in any action but in the pre-thought to that action, the hope or faith one holds in oneself, one's knowledge or abilities.
When an alien race and factions within Starfleet attempt to take over a planet that has "regenerative" properties, it falls upon Captain Picard and the crew of the Enterprise to defend the planet's people as well as the very ideals upon which the Federation itself was founded.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Jeffrey "The Dude" Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
When a freighter is viciously attacked in the Pacific Ocean, a team of experts -- including biologist Niko Tatopoulos and scientists Elsie Chapman and Mendel Craven -- concludes that an oversized reptile is the culprit.
The OSSA discovers a spacecraft thought to be at least 300 years old at the bottom of the ocean. Immediately following the discovery, they decide to send a team down to the depths of the ocean to study the space craft.