The director Vít Klusák is shooting a film about his father, the well-known composer Emil Viklický, but the latter wants nothing to do with it. This creates a portrait without portraiture, since the director places a double in the role of his father, whom he finds through an advertisement published in newspapers. What is interesting is that Klusák does not know his real father personally, but only meets him (or fails to meet him) for the second time in his life while filming...
The world's most highly qualified crew of archaeologists and explorers is led by historian Milo Thatch as they board the incredible 1,000-foot submarine Ulysses and head deep into the mysteries of the sea.
When her scientist ex-boyfriend discovers a portal to travel through time -- and brings back a 19th-century nobleman named Leopold to prove it -- a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century.
After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A socially awkward but very bright 15-year-old girl being raised by a single mom discovers that she is the princess of a small European country because of the recent death of her long-absent father, who, unknown to her, was the crown prince of Genovia.
Have you watched Portrait of Emil Viklický: Jazz War yet? What did you think about it?