Fifty seconds is all Stan Brakhage needs to challenge the power of the images we see. Without sound and handpainted. A dance of colors, forms and flaws at a speed that seems to mock the lyrical effect of the result. Laconically entitled SB, the film is part of a series of handpainted movies that Brakhage has repeatedly chosen as specific material for processing. It is a silent, colorful piece of pure rhythm. In the din of grand, extravagant cinema, this small cinematic haiku is a special gift from the great filmmaker Stan Brakhage.
Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders - Burnham, Raoul and Junior - during a brutal home invasion.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.