This birth of the human silhouette metonymically takes us back to the origins of cinema, to Marey or Muybridge’s pre-cinema. Baért with his model wanted to re-find the dancer Loie Fuller’s aerial movements such as one can see in Fire Dance (1901). This research for origins continues with the malleability of the ‘imprints’ of the dancer and the circulation of materials and lights.(…) Imprint plays, from the point of view of form, with the material, the identity, the hybridization between film and skin, material and light (…), towards the constitution of a new organism where skin and celluloid acquire an even esthetical status, a true melting pot of malleable images and thoughts.
The Machinist is the story of Trevor Reznik, a lathe-operator who is dying of insomnia. In a machine shop, occupational hazards are bad enough under normal circumstances; yet for Trevor the risks are compounded by fatigue.
Timon the meerkat and Pumbaa the warthog are best pals and the unsung heroes of the African savanna. This prequel to the smash Disney animated adventure takes you back -- way back -- before Simba's adventure began.
An epic love story centered around an older man who reads aloud to a woman with Alzheimer's. From a faded notebook, the old man's words bring to life the story about a couple who is separated by World War II, and is then passionately reunited, seven years later, after they have taken different paths.