In the aftermath of the collapse of the Israeli-Palestinian peace negotiations at Camp David in 2000, Avi Nesher filmed a series of conversations with Israeli and Palestinian politicians concerning the dark core of the conflict. Simultaneously Nesher documented with his cinematographer David Gurfinkel the Russian-Israeli belly dancer Elina Pechersky during her preparations for an ambitious performance together with five Palestinian-Israeli musicians. Nesher weaves the two strands into one cinematic narrative, juxtaposing history and mythology, reality and imagination, questioning the unbearable communication failure between the "major" and the "minor" conflicts between Palestinian and Israeli cultures.
The sequel to House of 1000 Corpses – the Firefly family are ambushed at their isolated home by Sheriff Wydell and a squad of armed men guns blazing – yet only Otis and his sister, Baby, manage to escape the barrage of bullets unharmed.
Yuri Orlov is a globetrotting arms dealer. Through some of the deadliest war zones, Yuri struggles to stay one step ahead of a relentless Interpol agent, his business rivals, even some of his customers who include many of the world's most notorious dictators.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
After their father (Tim Robbins) is called into work, two young boys, Walter (Josh Hutcherson) and Danny (Jonah Bobo), are left in the care of their teenage sister, Lisa (Kristen Stewart), and told they must stay inside.