In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. Because the film was shot on the short-lived 68mm gauge format stock, it was not viewed by modern audiences until 2004, when the British Film Institute restored it to 35mm. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguch, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation. Violinist and composer Todd Reynolds created the film’s original soundtrack.
Tortured by the ghosts of the demonized insane asylum that killed the crew of GRAVE ENCOUNTERS, film students fight to escape death as their own paranormal investigation goes terribly wrong in this horrifying sequel.
Disgraced Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains hidden in the kids' house.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing.