The Kodachrome Dailies consist of all the Kodachrome footage chosen to be worked with to make the film Song and Solitude during years 2005 and 2006. During that period I still had the great privilege to be shooting Kodachrome. My method for editing was to first select the footage I wanted to use from the original camera rolls and then make an internegative and work print of that selected material to work with in the editing. (In an earlier period, I did not have to first make an internegative, but could more simply make a work print directly off the camera original, but Kodak cancelled the reversal work print film stock.)
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise in Martin Scorsese's multiple Oscar-winning crime thriller.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS.
An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.
Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime.
Have you watched Kodachrome Dailies from the Time of Song and Solitude (Reel 1) yet? What did you think about it?