On Xenakis [a]live!, Friedl and zeitkratzer paint an impressionistic tribute to Greek composer and electro-acoustic pioneer, the late Iannis Xenakis (1922-2001). Quite literally a stylistic dedication to the flavor of Xenakis' classic tape compositions through the use of amplified orchestral instruments, Xenakis [a]live! recreates acoustically what were once primarily studio generated sounds. The dramatic results convey an aesthetic link to zeitkratzer's other homage to the early seventies, Lou Reed's Metal Machine Music. With both projects Friedl and his associates compared the "orgiastic" and "holistic" elements of these dense sonic architectures from two socially distinct composers of a common historical era.
John McClane is back and badder than ever, and this time he's working for Homeland Security. He calls on the services of a young hacker in his bid to stop a ring of Internet terrorists intent on taking control of America's computer infrastructure.
In this chilling sequel to 28 Days Later, the inhabitants of the British Isles appear to have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there.