1939: Hollywood's Greatest Year is a once-over-lightly evocation of a slate of classic films unmatched before or since. In a year permitting 10 Best Picture nominees, the final cut included Gone with the Wind, The Wizard of Oz, Dark Victory, Goodbye, Mr. Chips, Mr. Smith Goes to Washington, Ninotchka, Of Mice and Men, Stagecoach, Wuthering Heights, Love Affair. Shut out: The Roaring '20s, The Hunchback of Notre Dame, Intermezzo, Destry Rides Again, Idiot's Delight, Young Mr. Lincoln, Gunga Din. This hour-long film finds room to acknowledge a few of these non-starters, but its brevity means a lot gets left out. This includes the absence of anything that doesn't celebrate the studio system, including the practices of the shrewd tyrants who ran them, seen in brief archival footage.
The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta).