Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. His most perfidious film was the treacherous anti-Semitic propaganda film Jud Süß - required viewing for all SS members. An unrepentant and blindly obsessive craftsman, no figure - save for Leni Riefenstahl - is as closely associated with the cinema of the Holocaust years. (Harlan's epic Kolberg was the basis for Inglourious Basterds's pivotal film-within-a-film Stolz Der Nation.) This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.
From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop (Willis) is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Aliens land in South Africa and have no way home. Years later after living in a slum and wearing out their welcome the "Non-Humans" are being moved to a new tent city overseen by Multi-National United (MNU).
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta).