FOR DECADES HIP-HOP HAS BEEN CONTROLLED BY THE RECORD COMPANIES. THEY INVEST MILLIONS AND PROFIT BILLIONS FROM GLOBAL CASSETTE, CD, AND NOW RINGTONE SALES. MUSIC MOGULS AFFORD A LIFESTYLE COMPARABLE TO WHAT WE SEE ON MTV CRIBS. EVENTUALLY HIP-HOP ARTISTS WOULD ADAPT THE RECORD COMPANY FORMULA, AND START TO STRATEGICALLY PROMOTE AND MARKET THEIR OWN MUSIC. THIS HAS CREATED A CONFLICT INSIDE THE INDUSTRY. THE RECORD COMPANIES, IN CONJUNCTION WITH THE RECORDING INDUSTRY ASSOCIATION OF AMERICA (RIAA), HAVE DECLARED WAR. OFFICES HAVE BEEN RAIDED, MOM AND POP STORES HAVE BEEN CLOSED AND MANY HAVE BEEN ARRESTED. HIP-HOP ARTISTS, DJS, AND PRODUCERS HAVE DECIDED THAT THE ONLY WAY TO SURVIVE IN THE MUSIC BUSINESS IS TO "KILL THE RECORD LABELS".
Aliens land in South Africa and have no way home. Years later after living in a slum and wearing out their welcome the "Non-Humans" are being moved to a new tent city overseen by Multi-National United (MNU).
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta).
A taxi driver gets more than he bargained for when he picks up two teen runaways. Not only does the pair possess supernatural powers, but they're also trying desperately to escape people who have made them their targets.
Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop (Willis) is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.