If you're like most of us, you stormed out of your midnight viewing of Reloaded saying to yourself, "Man, was that terrible! When I come back in six months to see Revolutions, they had better balance out those ponderous scenes of two characters quietly discussing the minutiae of the plot with a lot more tedious action sequences where I can't tell what is going on. Abandoning all the pseudo-philosophical mumbo-jumbo that for a brief window had desperate college professors teaching lectures on the original movie, Revolutions instead dials the THX up to 11 and hopes you don't notice because your eardrums are too busy rupturing. And to top it off, there's a healthy dose of old-fashioned, ham-fisted blasphemy thrown in for good measure.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström.