A bus takes-off from urban Manila to the rural southeastern side of the country, carrying a group of mixed passengers from all walks of life, each one has a personal story to tell and they are telling it in their own voice. During the long journey, as the passengers mentally sort out their past & their future, things happen in the present, by choice or by providence, that make their journey memorable—the bus blows a tire, a song elicits tears, a butterfly causes commotion, a picture gets lost, someone's head is stoned, some hearts are broken, some mended. The bus ride poetizes the life journey and poses questions on issues of life and death and where exactly the line is drawn between free will and destiny.
Hoping to bring his family closer together and to recreate his childhood vacation for his own kids, a grown up Rusty Griswold takes his wife and their two sons on a cross-country road trip to the coolest theme park in America, Walley World.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta).
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop (Willis) is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Aliens land in South Africa and have no way home. Years later after living in a slum and wearing out their welcome the "Non-Humans" are being moved to a new tent city overseen by Multi-National United (MNU).