A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization. One of them writes a novel while the others try to become a gang and prepare a robbery; some fall in love, or seem to be, or believe (or say) they are in love. But these two, three, ten plot lines unfold from what the characters hide or just don’t know, connecting the writing of the novel and the forming of the gang, and the past of two of the characters with that of the house, and of those who perhaps were the two most bitter enemies of nineteenth century Argentine history.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop (Willis) is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
When reporter Jean Craddock interviews Bad Blake -- an alcoholic, seen-better-days country music legend -- they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.