The documentary’s starting point is the discovery and restoration of a rare and unknown photography reel reproduced from a mutoscope film, made in 1901 in London, about Santos Dumont (1873 – 1932). The work approaches historic and artistic aspects from the beginning of Cinema (pre cinema, variety film) and a cinema that appropriates archive material (found footage, recycled films), through interviews, documents, visual metaphors and the articulation of a poetic essay.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
After young Kirra (Bindi Irwin) leaves her Australian home to summer with her grandfather (Beau Bridges) in South Africa, she soon discovers a baby orca stranded in the lagoon near her grandfather’s rundown seaside amusement park.