Chicago-based writer/director Ron Lazzeretti (The Opera Lover, The Merry Gentleman) explores the complexities of modern relationships in this independent drama presented in four parts. The first segment, titled "Last Day" finds acrimony taking precedent over amenity during a farewell party for an employee who's about to move on. A bride and the priest who's officiating her wedding get an unpleasant surprise after running away together in "Wedding Night," and a woman on the CTA receives a spontaneous gift that transforms her outlook on the world (at least, momentarily) in "Flowers". Lastly, a family preparing for a big relocation finds the forces of the universe seemingly aligned against them in "Move".
A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.
An American girl on vacation in Italy finds an unanswered "letter to Juliet" -- one of thousands of missives left at the fictional lover's Verona courtyard, which are typically answered by a the "secretaries of Juliet" -- and she goes on a quest to find the lovers referenced in the letter.
After young Kirra (Bindi Irwin) leaves her Australian home to summer with her grandfather (Beau Bridges) in South Africa, she soon discovers a baby orca stranded in the lagoon near her grandfather’s rundown seaside amusement park.