Marguerite Dixon has been defending those who are abused and betrayed for most of her life. A senior worker at a local transition house in the town of Havery, she wrestles with the eventual loss of her best friend and colleague, Svetlana, while battling the constant temptation to permanently prevent the further traumatization of the women and children she serves. At what point does Marguerite's professional passion to protect those who have gone into hiding collide with personal vendetta and vigilante justice? How many more pedophiles and wife-batterers will walk free without a shred of remorse for their behaviour? When Marguerite is attacked at her gym after work, she begins to rethink her professional outlook and the lines between ethical conduct. It's kill-or-be-killed and Marguerite's connection with one particular case drives her to commit more 'preventative' acts of protection than she cares to admit.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
Alice, an unpretentious and individual 19-year-old, is betrothed to a dunce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit.
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
After young Kirra (Bindi Irwin) leaves her Australian home to summer with her grandfather (Beau Bridges) in South Africa, she soon discovers a baby orca stranded in the lagoon near her grandfather’s rundown seaside amusement park.