Shivaji comes up with a challenging role, while as a producer, he displays even more guts. Taj Mahal is not a run-of-the-mill love tragedy, but a melancholy story, with an element of risk in it. This is one film which has not tinkered with the climax of the original. You could say, the debut producer has allowed the story-teller in the director, carte blanche to be true to the original idea.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military.
A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.