In this live cinema essay, Ross Lipman investigates the birth of the Television Spectacle. Based loosely on the classic anarchist documentary POINT OF ORDER! (a film which at once deconstructed the hearings and re-invented documentary form), the performance integrates archival movie and audio clips in chronicling the strange evolution of our understanding of McCarthy's America. The original film and its many revisions ultimately reveal an odd continuation of a hegemonic framing process begun with the original Army hearings which continues to the present day.
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military.
After young Kirra (Bindi Irwin) leaves her Australian home to summer with her grandfather (Beau Bridges) in South Africa, she soon discovers a baby orca stranded in the lagoon near her grandfather’s rundown seaside amusement park.