Yellow Limbo interleaves vintage photographs and Super8 film shot by crewmembers of 14 cargo ships stranded in the Suez Canal for 8 years with the artist’s own recent footage on location and a series of inter-titles that provide a fragmentary narrative as well as explode into a larger historical context. The three-way comparison of events and image sources, disembodied from the timeline of experience, creates a complication of concurrence, consequence and dissociation, giving rise to a sense that time is pleated, causality radiating and that this rippling expanse of saltwater somehow communicates diagonally through time.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
Alice, an unpretentious and individual 19-year-old, is betrothed to a dunce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit.