Yellow Limbo interleaves vintage photographs and Super8 film shot by crewmembers of 14 cargo ships stranded in the Suez Canal for 8 years with the artist’s own recent footage on location and a series of inter-titles that provide a fragmentary narrative as well as explode into a larger historical context. The three-way comparison of events and image sources, disembodied from the timeline of experience, creates a complication of concurrence, consequence and dissociation, giving rise to a sense that time is pleated, causality radiating and that this rippling expanse of saltwater somehow communicates diagonally through time.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military.
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.