The film mediates a certain kind of mental space of timelessness. At the edges somewhere unfolds the maternal body. Images and sounds of the first months after the author gave birth to her children constitute the film's distinctive language. Thus the film confronts habitual ways of imaging and understanding maternity with personal experience. From this point it is possible to approach the reality of new life and motherhood. The space between a mother's love and lactation psychosis is pervaded by intimacy and fragility on its own. The micro event in each scene contrasts with the toughness of static time framed into the white winter landscape. Thus the film speaks about something profoundly basic.
After being held in a coma-like state for fifteen years, vampire Selene learns that she has a fourteen-year-old vampire/Lycan hybrid daughter named Nissa, and when she finds her, they must stop BioCom from creating super Lycans that will kill them all.
A decade after his heroic defeat of the monstrous Kraken, Perseus-the demigod son of Zeus-is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius.