In ALL OR NOTHING abstract images are made dynamic by an infusion of energy imposed by me from outside. I’m tempted to describe this as a conversion of biological energy (mine) into cinematic energy. The individual frames collide and new things appear. It’s almost like a jerry-rigged, homemade version of the Large Hadron Collider.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building.
The brash-but-brilliant industrialist Tony Stark faces an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible.
Have you watched All or Nothing yet? What did you think about it?