In ALL OR NOTHING abstract images are made dynamic by an infusion of energy imposed by me from outside. I’m tempted to describe this as a conversion of biological energy (mine) into cinematic energy. The individual frames collide and new things appear. It’s almost like a jerry-rigged, homemade version of the Large Hadron Collider.
Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist.
The brash-but-brilliant industrialist Tony Stark faces an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.