Wael Shawky in his Cabaret Crusades skillfully juxtaposes historical narrative with the childish world of puppetry—seriousness with naivety, fear with humor, horror with entertainment—to focus on events crucial to the development of an Arab identity. While prior to the Crusades different groups coexisted more or less peacefully, the trauma of the European invasions shaped today's familiar dichotomies—East and West, Christianity and Islam, Shi’ism and Sunni’ism. At first sight a history lesson for children, the project ultimately raises important questions about the historicity of identity and consequently the role of history itself.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist.
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.