In Raya Martin’s thuggish fable of disengagement, a teenage girl grows distant from her parents before possibly vanishing altogether. But this is no angst drama. It’s defiance against a kind of ordered existence, treating death like a game, living life in a soft-focus daze, ready to evaporate if pushed far enough. The girl and all the other faceless kids wander numbly in slow motion through the brush, through the parental jabber, only the electronic drone keeping them from losing their bearings.
Iconoclastic, take-no-prisoners cop John McClane, finds himself for the first time on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building.