Provost shot this final part of the ›Plot Point‹-Trilogy in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compelling absorbesrb the viewer, but also masterfully shows that the dream-world called ›cinema‹ is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions..
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.