The film presents a speculative exercise about the relation between ecological theories and sociologic, economic and management models. Such reflections are intercalated with tales about the ritual of anthropophagy in Brazil in the early 16th century, whose imaginary defines the film's visuals, be it microfilms of books and etchings, or museological and graphic material on Amerindian socio-cosmologies.
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.